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 Lost and Stolen Images of Nepal
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Posted on 09-28-06 6:38 PM     Reply [Subscribe]
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check this out:
http://kaladarshan.arts.ohio-state.edu/LostStolen/lsnepal.html
 
Posted on 09-28-06 8:37 PM     Reply [Subscribe]
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Posted on 09-28-06 11:06 PM     Reply [Subscribe]
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If they are stolen idols... why aren't they reurned to Nepal?
 
Posted on 09-29-06 11:27 AM     Reply [Subscribe]
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Stolen images, stealing a nation’s heart

Ghanashyam Ojha

Though a small country, Nepal flaunts its pride with its multiple ethnic groups and many different cultures. Although fossils of Hominoid Ramapithecus, the earliest man dating back almost 16 million years have been found in various parts of the country, any concrete evidence of that civilization have not come to the fore yet.

Nepal’s history has been assumed to have taken its accurate shape only from the 5th century A.D. with the inscription of Mandeva in Changu Narayan about 15 miles Northeast of Kathmandu.

Stylistically, the earliest sculptures predating the Licchavi period (A.D.400-800) show their close affinity with the Kushana art of India. The Kushanas were a branch of the Yuet-chin tribe from Central Asia. Kanishaka, the greatest ruler was an ardent patron of Buddhism during the 1st century A.D. It is believed that Kanishaka spread the ideologies of Buddhism and made Buddhism popular in many parts of India.

With popular cults prevalent in those days marks the cultural wealth of our country. Images and relics are the true witnesses that help the study of ancient history and old civilizations. One of the attractions of Nepal is also its historical icons and relics found even to this day.

However, such significant images have been on their way to extinction. For a number of years, these invaluable images have been trafficked indiscriminately. Roughly the figures show that more than five hundred images have been stolen and the number is increasing daily.

Some of the stolen images:

1) Standing Buddha, Chabahil Deopatan, 5th Century A.D., stolen in July 1985

2) Seated Buddha, Kunti-bahi chaitya, Kumbhesvara, Patan, 6th Century A.D., stolen in April, 1985

3) Torso of a Female Divinity, Vatsalesvari, Pashupati, 2nd - 3rd century A.D., stolen in the late 1960s

4) Brahma, Mrigasthali, 12th centuryA.D., stolen in the early 1980s

5) Rama, Rudragadesvara, Pashupati, 10th - 11th century A.D., stolen in July 1985

6) Surya , Saugal, Patan A.D. 1083, stolen in May 16,1985

7) Uma-Mahesvara, Gahiti, Patan, 10th Century A.D., stolen in the mid 1960s

8) Uma-Mahesvara, Chupping-ghat, Bhaktapur, 15th century A.D., stolen in October, 1984

9) Ekamukha Shiva-linga, Rajrajesvari-ghat, Pashupati, 12th century A.D., stolen in January 1985

10) Uma- Mahesvara, Kumbhesvara, Patan, 14th century A.D., stolen in October 1985

11) Garudasana Vishnu, Hyumatol, Kathmandu, 10th century A.D., stolen in the late 1970s

12 Standing Vishnu, Panchadevala Pashupati, 17th century A.D., stolen in June 1985

13) Surya, surya - Kunda, Shikhara Narayana, Pharping 14th Century A.D., stolen in March 1985

14) Nagaraja, Kunti-bahi chaitya, Kumbhesvara, Patan, 14th century A.D., stolen in July 1985

15) Torso of Bodhisatva, Hadigaon 12th century A.D., stolen in late 1984

The above list gives only a brief glimpse of the images stolen.

Lain Sing Bangdel, an eminent artist and archaeologist says that the exact figure has not come to our notice, but that it must be more than this. "It is a matter of great surprise that the images ranging from 12 inches to 60 have been trafficked away". "How come our policemen could not nab them?", he questions.

Sukra Sagar Shrestha, chief Archaeological official, is alarmed and saddened by the trafficking of cultural property that has been hitting the country. He says that the government should implement ‘cultural punishment’ on the traffickers. At the same time, he strongly disagrees with the law introduced to punish the traffickers.

The "Ancient Monuments Preservation Law, 2013 (with Amendments)" in Article 12, ‘ga’ states, "If the archaeological goods are stolen, damaged, or changed , he / she has to pay the amount equal to the worth of the goods with a 50 thousand to 1 lakh fine or 5 years imprisonment or both".

According to Shrestha, the law is not strict enough to discourage the traffickers from changing their profession. There is much flexibility in the law so that any one can escape punishment. "There should be a separate cultural punishment to those traffickers", he suggests.

Traffickers have emerged as the most serious threat to our nation’s cultural assets.

Officials at the Archaeological Department put forward many measures in the past to bring this gnawing problem under control. According to them, they raised public participation with the view to preserve the cultural properties. But it was not totally successful. The public have their doubts. There have been incidents when many have been beaten and given death threats while being forced to disclose the names of the traffickers. So the general public hardly take part as caretakers of those images.

However, UNESCO (United Nations Education Social and Cultural Organization), in coordination with the Nepal Tourism Board and Archaeological department is readying a new programme to preserve the ancient images. According to Himalchuli Gurung, director of UNESCO, picture postcards of those missing images are set to be distributed within and outside Nepal to help the identification and retrieval of the missing images. "We hope we will be able to bring many of our missing images back after we send these cards to foreign countries", she says.

As the figures in the "Curio Test pass Department" shows, the number of stolen images later reported to the police comes below:

1980 to 1991- 857 nos

1992-1993- 28 "

1993-1994- 130

1994-1995-82

1996- 13

1997-74

1998-77

1999-17

1999-2000-12

2000-2001- 26

According to the above records, trafficking of images and icons saw a steep rise during the late 1970s and 80s. The above figures include only the reported cases. There are many images stolen which have not been reported yet.

Not only has the burgeoning problem of the trafficking of cultural property hit Nepal hard, but many other countries also suffer the same problem. They too are seeking seeking measures to curb it.

The figures below show the international trafficking of cultural property:

Niger: 90% of the Bura sites damaged by looting since 1994; Italy: 13000 Apulian vases looted or stolen with no information on their origin; Russia: 89 rare manuscripts with an estimated value of $ 100 million stolen from the Russian National Library in 1996; Iraq: nearly 4000 objects reported to have gone missing following the events in the Gulf in 1991; Peru: 100000 tombs, half of the known sites looted; United Kingdom: $1 billion paid by insurance companies in 1995 for stolen artworks; China: 15000 tombs of the Neolithic Hongshan Culture in Inner Mongolia robbed; France : 5988 thefts reported in 1999; Australia: 1654 thefts of 2074 objects reported in 1998.

The above figures paint a black picture. It is quite stunning to see this flow of stolen cultural property. Given the high rate of smuggling, none of the countries can seriously preserve their ancient civilizations.

Prakash Darnal, an archaeological official stresses on the need to create public awareness for gradual control of this problem. "Until and unless the general public are conscious and participate in saving our cultural property, the government alone cannot do anything", says Darnal.

According to him, the trend of images going missing is still on. An image of Bishnu in Shova Bhagavati, the statue of God Surya in Farping, the statue of Harmika, which have not been reported as yet, still remain missing.

The images are under threat not only from the traffickers’ eagle eye but the growing pollution and lack of preservation are other significant causes that erode the images everyday. A number of images have been waiting for preservation and conservation. Images flanked at the corners of the Kathmandu valley are seen either engulfed by slums or distorted beyond recognition.

Government efforts to preserve the images have not been sufficient. Public participation too is discouraging. It is high time that preservation and conservation techniques were used to save these invaluable images. Otherwise, our invaluable culture and civilization might get eroded forever along with the images.

http://www.nepalnews.com.np/contents/englishweekly/sundaypost/2001/sep/sep02/head.htm
 
Posted on 09-29-06 11:29 AM     Reply [Subscribe]
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Return of Stolen Heritage

Nepal witnessed the first ever voluntary return of three stolen statues and a fragment (a severed Saraswati head). The valuable artifacts were voluntarily returned by an American art collector, confronted with evidence of their theft.

Since the 1960s, thousands of stone sculptures have disappeared from temples, monasteries, fields and forests of the Kathmandu valley and nearby towns. Devotees will now have to travel thousands of miles to view them polished and alone in big museums and private collections around the world. Sotheby’s featured a 15th century Laxmi Narayan statue from Patko Tole in Patan, in its 1990 sales catalog and sold it for an undisclosed amount. An 11th century Uma Maheswar statue from Nasamana Tole in Bhaktapur is now a prized collection of the Musee National d’ Arts Asiatiques-Guimet in Paris.

The statues are stolen from the laps of the worshippers and their sites of consecration centuries ago. The worshippers’ grime that has accumulated from centuries are cleaned off to be sold. An object of worship is transformed into an object of art. Says Chandra P. Tripathy, a specialist at the Department of Archaeology in Kathmandu, “when a statue is displayed in a museum, it is converted into an archaeological item which has lost its current cultural value”.

The early visitors to Nepal found the Kathmandu valley like an open museum, populated by tens of thousands of gods and goddesses. There were almost as many temples as there were houses. Western collectors of oriental art came upon a valley which hosted a treasure trove of iconography in stone, bronze and wood. The process idol theft began with the end of the Rana regime. Lawlessness, involvement of high officials and the indifference of the local people acted as strong catalysts to the process. Some now believe that almost all that was worth stealing from the valley’s open spaces have been stolen. There is nothing left to steal. It can be said with confidence that with hardly any exception, every ancient statue from Nepal currently adorning pedestals in the west has been the subject of loot.

Artist and art historian, Lain Singh Bangdel and Jurguen Schick, an art connoisseur from Essen, Germany, emerged as guardians of statuary in a valley where the effects of modernisation and breakdown of community spirit had left thousands of icons in the fields and neighbourhood orphaned. Bangdel and Schick photographically documented hundreds of statuary in their original places and also took pictures of sites which had been ravaged. Bangdel published his book Stolen Image, while heading the Royal Nepal Academy. Schick published his book, The Gods Are leaving the Country, first in German and then later in English. Although Bangdel and Schick worked independently of each other, they were both racing against time and working against powerful thieves who had strong connections with high officials. Bangdel was threatened with his life and Schick was harassed with his visa and had to leave Nepal and could not return for a year. A positive result of their genuine effort to save a part of the heritage of Nepal finally showed when an unknown art collector in the United States of America returned 3 stolen idols and a severed stone head of the goddess Saraswati unconditionally when he saw their pictures in Bangdel’s book, Stolen Images.

The loss of the stolen idols are still felt to this day. The empty pedestals where they were consecrated centuries ago still receive offerings and prayers while the gods are sitting alone in distant lands unable to receive the love and offering from their genuine devotees. The whereabouts of 4 stolen statues documented by Bangdel and Schick are known today. An idol lifted from Nasamana Tole, Bhaktapur is in the Musee Guimet, Paris. Similarly statues from Wotol in Dhulikhel and Ga Hiti in Patan are in the Berlin Museum Fur Indesche Kunst, and the Denver Museum. It is also known that Sotheby’s sold the Laxmi Narayan from Patko, Patan and therefore is dutybound to help trace it. If something is stolen, it must be returned.

- Vision

http://www.nepalnews.com.np/contents/englishweekly/independent/8-95/comment.htm
 
Posted on 09-29-06 11:31 AM     Reply [Subscribe]
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Interview with Lain Singh Bangdel who save Nepali stolen idols:

http://www.spinybabbler.org/traditional_arts/interviews/lain_singh_bangdel.php
 
Posted on 09-30-06 5:45 PM     Reply [Subscribe]
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Lain Singh Bangdel

 
Posted on 10-03-06 3:16 PM     Reply [Subscribe]
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Lain singh Bangel is person who interduce Nepal in Highly reputed International Art Community.

By his great work of art research report and Nepal ancient art record collection, Nepal able to track down and bring back stolen arts into home Nepal from around the world.

Some Royal families and culprits involves in Nepal ancient art stole and sell them into international underground buyers.
 
Posted on 10-03-06 3:52 PM     Reply [Subscribe]
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The boss of all the bosses is no other than Late Dhirendra BB Shah stole and sold it out of the country under the guidence of our present King Gyanendra BB Shah. It needs to be back where it belongs..........
 


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